• November 21, 2024, 07:55:21 PM
• Welcome, Guest. Please login or register.
News: Registration on the forum through the email only to olgatangemann@gmail.com The English edition of the book "Personality Type and Art" is available at Cambridge Scholars Publishing website. The German edition of the book "Personlichkeitstyp und Kunst" is available to buy on Amazon.de in paperback for 29.99 and online options for 9.99

Author Topic: LIE - ENTj - Jack London  (Read 2242 times)

Offline Ольга

  • Administrator
  • Hero Member
  • *****
  • Posts: 2495
  • Karma: 16
  • Ассоциативная модель
    • View Profile
    • Ассоциативная соционика
LIE - ENTj - Jack London
« on: March 25, 2014, 11:35:40 AM »
John Griffith London (1876-1916) was born in San Francisco of an unmarried mother of wealthy background, Flora Wellman. His father may have been William Chaney, a journalist, lawyer, and major figure in the development of American astrology. Because Flora was ill, Jack was raised through infancy by an ex-slave, Virginia Prentiss, who would remain a major maternal figure while the boy grew up. Late in 1876, Flora married John London, a partially disabled Civil War veteran. The family moved around the Bay area before settling in Oakland, where Jack completed grade school. Though the family was working class, it was not so impoverished as London's later accounts claimed.

As an adolescent, the boy adopted the name of Jack. He worked at various hard labor jobs, pirated for oysters on San Francisco Bay, served on a fish patrol to capture poachers, sailed the Pacific on a sealing ship, joined Kelly's Army of unemployed working men, hoboed around the country, and returned to attend high school at age 19. In the process, he became acquainted with socialism and was known as the Boy Socialist of Oakland for his street corner oratory.  He would run unsuccessfully several times on the socialist ticket as mayor. Always a prolific reader, he consciously chose to become a writer to escape from the horrific prospects of  life as a factory worker. He studied other writers and began to submit stories, jokes, and poems to various publications, mostly without success.

Spending the winter of 1897 in the Yukon provided the metaphorical gold for his first stories, which he began publishing in the Overland Monthly in 1899. From that point he was a highly disciplined writer, who would produce over fifty volumes of stories, novels, and political essays. Although The Call of the Wild (1903) brought him lasting fame, many of his short stories deserve to be called classics, as does his critique of capitalism and poverty in The People of the Abyss (1903), and his stark discussion of alcoholism in John Barleycorn (1913). London's long voyage (1907-09) across the Pacific in a small boat provided material for books and stories about Polynesian and Melanesian cultures. He was instrumental in breaking the taboo over leprosy and popularizing Hawaii as a tourist spot.

London was among the most publicized figures of his day, and he used this pulpit to endorse his support of socialism, women's suffrage, and eventually, prohibition. He was among the first writers to work with the movie industry, and saw a number of his novels made into films. His novel The Sea-Wolf became the basis for the first full-length American movie.  He was also one of the first celebrities to use his endorsement for commercial products in advertising, including dress suits and grape juice.

Because he was an autodidact, London's ideas lacked consistency and precision. For example, he clearly accepted the Social Darwinism and scientific racism prevalent during his time, yet he seem troubled that the "inevitable white man," as he called him, would destroy the rich cultures of various native groups he had encountered over the years. Although he supported women's suffrage and created some of the most independent and strong female characters in American fiction, he was patriarchal toward his two wives and two daughters. His socialism was fervent, but countered by his strong drive toward individualism and capitalist success. These contradictory themes in his life and writing make him a difficult figure to reduce to simple terms.

London's great love became agriculture, and he often stated he wrote to support his Beauty Ranch in Glen Ellen. He brought to California techniques observed in Japan, such as terracing and manure spreading, and was accomplished in animal husbandry. He was far ahead of his time in conceiving of the ranch as self-sufficient and self-regenerating. His Wolf House, for example, was built of rock and lumber from his property. He was much influenced by the Arts and Crafts philosophy in these regards.

London's first marriage (1900) was to Bess Maddern, with whom he had two daughters, Joan and Bess. In choosing her, he followed the precept in a book he co-wrote with Anna Strunsky, The Kempton-Wace Letters, that mates should be selected for good breeding, not love. (Bess agreed.) Following an affair with "New Woman" Charmian Kittredge, five years his senior, he divorced Bess. In 1905 he married his "Mate Woman," who became the persona for many of his female characters and who avidly joined him on his many travel ventures. He encouraged her own writing career, and she wrote three books concerning their life (The Log of the Snark, Our Hawaii, and The Book of Jack London).

Often troubled by physical ailments, during his thirties London developed kidney disease of unknown origin. He died of renal failure on November 22, 1916 on the ranch. Because his writings were translated in several dozen languages, he remains more widely read in some countries outside of the United States than in his home country. Study of his life and writings provides a case through which to examine the contradictions in the American character, along with key movements and ideas prominent during the Progressive era.

Following London's death, for a number of reasons a biographical myth developed in which he has been portrayed as an alcoholic womanizer who committed suicide. Recent scholarship based upon firsthand documents challenges this caricature. But its persistence has resulted in neglect of his full literary ouevre and his significance as a seminal figure in turn-of-the-century social history.
http://london.sonoma.edu/jackbio.html

« Last Edit: April 02, 2014, 01:38:39 PM by Ольга »
Журнал "Соционика": https://www.facebook.com/groups/543577009011267/